The music from this movie introduced me to Agam, Thaikkudam Bridge and Masala Coffee. It was this music that made me curious about the movie. I had seen bits of it before but when I saw the movie was on Netflix, I thought that it was good use if any of my month long subscription.
I saw the Tamil version of Solo. It stars Dulquer Salman. It constitutes four parts – the elements of Earth, Air, Fire and Water. It looks at the four forms of Shiva. I loved the art and the filming style.
There are many gaps in the story that I was curious about. I like open ended stories. I like non-reveals. I loved this movie.
A spacey afterlife, I had tweeted after I first saw the trailer of Cargo on YouTube.
I have had a love affair with space since I was a teenager. But, I wasn’t the brave type of fellow who would enjoy being strapped to a rocket. So, I had settled for dreams of being an engineer on Earth who sent people out into space. If forced to leave Earth, I would definitely not be in the first few flights off Earth.
The only way for me to access space in those teenage years through the pages of a science fiction book. I have recently started reading Indian science fiction again by reading Gautam Bhatia’s The Wall. I thought this was a movie I could watch as part of that project.
Going to space after death! People seem to be going to and from the spacecraft without rockets. But, I wonder if the fear of sitting on a rocket will play a role after you die.
Death is a great segue to spirituality, my other interest. Hinduism views death as the first step in the reincarnation process. One dies. Then, one is re-born. The idea is to break this cycle of life, death and re-birth. My personal reading in spirituality has been centered around the Upanishads. I see them as a mental model to answer some of the difficult questions I have till science gives us more concrete answers.
Cargo combines space and death in a very innovative way.
As I watched the movie, I was looking up the movie on Wikipedia and Google to understand more of the space and spirituality references the movie uses. What follows are the ones that I found.
The connection to bulls as the mount used by Yama, the Hindu god of death is the logo for the Post Death Transition Services. It is well branded on the coffee mug that the protagonist uses.
The spaceship where they ‘transition’ human beings from one life to the next are called Pushpak. Pushpak is the first reference to a vimana in Hindu texts. This is a chariot built by Vishwakarma for Brahma, the Hindu god of creation. This is the vehicle that Ravana later stole from Kubera, the Hindu god of wealth who got it from Brahma. Vishwakarma is the divine architect and god of architects and engineers. Look at how technical and step-by-step the ‘transition’ is. Doff of the hat to Vishwakarma?
The lead is named Prahasta. Prahasta is the General of the Lankan army and Ravana’s maternal uncle. In the war with Rama, Prahasta is the general of the army leading the first wave. So, Prahasta in the movie, is one of the first six rakshasa-astronauts who fly the first Pushpak?
Prahasta’s science guy at Ground control is named Raman sir. Doff of the hat to C V Raman?
Many of the Upanishads take the question-answer mode between two or multiple people to tackle deep philosophical questions. Many of them have a guru-disciple setting. I think the movie sets the spacecraft as a back drop to have a few question-answer mode between Yuvishka as the student and Prahasta as a guru.
I would consider everything else being nothing more than setting up the scene for this conversation.
I am not sure if the human-rakshasa agreement where humans agree to be led by rakshasas is a commentary on the present political climate?
I think there are more references and hooks that are present in the film that I may not get as I am not a full time movie goer.